Kathy Anderson
Kathryn Anderson (she/her) is a Tacoma-based artist and printmaker whose work bridges classical training with a deep reverence for the natural world. Educated at The Art Students League in Manhattan and Pratt Institute in Brooklyn, she carries forward a tradition of disciplined craftsmanship while cultivating a voice that is distinctly her own.
Working primarily in linocut and copper plate etching, Kathryn embraces the physicality and history of printmaking — a process that demands patience, precision, and trust. She is also drawn to time-honored mediums such as silverpoint and encaustic, where the act of making becomes both ritual and an echo of the past.
Nature is her constant teacher and muse. Influenced by gardening, birdwatching, and wandering through untamed landscapes, she studies her subjects with quiet intensity. Whether depicting flora, fauna, or the human form, her work seeks to move beyond representation and toward essence — capturing not only how something appears, but how it feels to truly see it.
Every print is shaped by intention and guided by curiosity. Kathryn believes that when we slow down to observe the intricate details around us, we deepen our connection to the living world.
For her, printmaking is more than a practice — it is a calling. And within the tactile rhythm of carving, inking, and pulling each print by hand, there remains an enduring sense of wonder: a small, luminous magic revealed each time the paper is lifted.
Working primarily in linocut and copper plate etching, Kathryn embraces the physicality and history of printmaking — a process that demands patience, precision, and trust. She is also drawn to time-honored mediums such as silverpoint and encaustic, where the act of making becomes both ritual and an echo of the past.
Every print is shaped by intention and guided by curiosity. Kathryn believes that when we slow down to observe the intricate details around us, we deepen our connection to the living world.
For her, printmaking is more than a practice — it is a calling. And within the tactile rhythm of carving, inking, and pulling each print by hand, there remains an enduring sense of wonder: a small, luminous magic revealed each time the paper is lifted.
